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"I felt a Funeral, in my Brain,
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And Mourners to and fro
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Kept treading - treading - till it seemed
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That Sense was breaking through -
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And when they all were seated,
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A Service, like a Drum -
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Kept beating - beating - till I felt
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My mind was going numb -
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And then I heard them lift a Box
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And creak across my Soul
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With those same Boots of Lead, again,
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Then Space - began to toll,
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As all the Heavens were a Bell, And Being, but an Ear,
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And I, and Silence, some strange Race,
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Wrecked, solitary, here -
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(Just) then a Plank in Reason, broke,
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And I dropped down, and down -
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And hit a World, at every plunge,
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And Finished knowing - then -"
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We know depression through metaphors.
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Emily Dickinson was able to convey it in language,
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Goya in an image.
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Half the purpose of art is to describe such iconic states.
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As for me, I had always thought myself tough,
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one of the people who could survive if I'd been sent to a concentration camp.
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In 1991, I had a series of losses.
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My mother died, a relationship I'd been in ended,
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I moved back to the United States from some years abroad,
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and I got through all of those experiences intact.
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But in 1994, three years later, I found myself losing interest in almost everything.
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I didn't want to do any of the things I had previously wanted to do, and I didn't know why.
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The opposite of depression is not happiness, but vitality.
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And it was vitality that seemed to seep away from me in that moment.
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Everything there was to do seemed like too much work.
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I would come home,
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and I would see the red light flashing on my answering machine,
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and instead of being thrilled to hear from my friends,
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I would think, "What a lot of people that is to have to call back."
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Or I would decide I should have lunch,
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and then I would think, but I'd have to get the food out
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and put it on a plate and cut it up and chew it and swallow it,
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and it felt to me like the Stations of the Cross.
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And one of the things that often gets lost in discussions of depression
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is that you know it's ridiculous.
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You know it's ridiculous while you're experiencing it.
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You know that most people manage to listen to their messages and eat lunch
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and organize themselves to take a shower and go out the front door,
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and that it's not a big deal, and yet you are nonetheless in its grip,
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and you are unable to figure out any way around it.
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And so I began to feel myself doing less and thinking less and feeling less.
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It was a kind of nullity, and then the anxiety set in.
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If you told me that I'd have to be depressed for the next month,
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I would say, "As long I know it'll be over in November, I can do it."
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But if you said to me, "You have to have acute anxiety for the next month,"
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I would rather slit my wrist than go through it.
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It was the feeling all the time, like that feeling you have if you're walking,
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and you slip or trip, and the ground is rushing up at you,
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but instead of lasting half a second, the way that does, it lasted for six months.
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It's a sensation of being afraid all the time, but not even knowing what it is that you're afraid of.
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And it was at that point that I began to think that it was just too painful to be alive,
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and that the only reason not to kill oneself was so as not to hurt other people.
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And finally one day, I woke up, and I thought perhaps I'd had a stroke,
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because I lay in bed completely frozen, looking at the telephone, thinking,
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"Something is wrong and I should call for help,"
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and I couldn't reach out my arm and pick up the phone and dial.
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And finally, after four full hours of my lying and staring at it,
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the phone rang, and somehow I managed to pick it up,
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and it was my father, and I said,
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"I'm in serious trouble. We need to do something."
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The next day I started with the medications and the therapy.
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And I also started reckoning with this terrible question:
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If I'm not the tough person who could have made it through a concentration camp, then who am I?
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And if I have to take medication, is that medication making me more fully myself,
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or is it making me someone else?
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And how do I feel about it if it's making me someone else?
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I had two advantages as I went into the fight.
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The first is that I knew that, objectively speaking, I had a nice life,
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and that if I could only get well,
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there was something at the other end that was worth living for.
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And the other was that I had access to good treatment.
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But I nonetheless emerged and relapsed, and emerged and relapsed,
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and emerged and relapsed, and finally understood
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I would have to be on medication and in therapy forever.
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And I thought, "But is it a chemical problem or a psychological problem?
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And does it need a chemical cure or a philosophical cure?"
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And I couldn't figure out which it was.
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And then I understood that actually,
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we aren't advanced enough in either area for it to explain things fully.
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The chemical cure and the psychological cure both have a role to play,
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and I also figured out that depression was something that was braided so deep into us
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that there was no separating it from our character and personality.
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I want to say that the treatments we have for depression are appalling.
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They're not very effective. They're extremely costly.
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They come with innumerable side effects. They're a disaster.
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But I am so grateful that I live now and not 50 years ago,
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when there would have been almost nothing to be done.
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I hope that 50 years hence, people will hear about my treatments
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and be appalled that anyone endured such primitive science.
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Depression is the flaw in love.
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If you were married to someone and thought, "Well, if my wife dies, I'll find another one,"
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it wouldn't be love as we know it.
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There's no such thing as love without the anticipation of loss,
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and that specter of despair can be the engine of intimacy.
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There are three things people tend to confuse: depression, grief and sadness.
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Grief is explicitly reactive.
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If you have a loss and you feel incredibly unhappy, and then, six months later,
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you are still deeply sad, but you're functioning a little better, it's probably grief,
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and it will probably ultimately resolve itself in some measure.
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If you experience a catastrophic loss, and you feel terrible,
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and six months later you can barely function at all,
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then it's probably a depression that was triggered
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by the catastrophic circumstances.
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The trajectory tells us a great deal.
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People think of depression as being just sadness.
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It's much, much too much sadness,
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much too much grief at far too slight a cause.
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As I set out to understand depression, and to interview people who had experienced it,
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I found that there were people who seemed, on the surface,
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to have what sounded like relatively mild depression
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who were nonetheless utterly disabled by it.
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And there were other people who had what sounded
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as they described it like terribly severe depression, who nonetheless had good lives
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in the interstices between their depressive episodes.
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And I set out to find out what it is that causes some people to be more resilient than other people.
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What are the mechanisms that allow people to survive?
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And I went out and I interviewed person after person who was suffering with depression.
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One of the first people I interviewed described depression as a slower way of being dead,
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and that was a good thing for me to hear early on
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because it reminded me that that slow way of being dead
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can lead to actual deadness, that this is a serious business.
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It's the leading disability worldwide, and people die of it every day.
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One of the people I talked to when I was trying to understand this,
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was a beloved friend who I had known for many years,
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and who had had a psychotic episode in her freshman year of college,
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and then plummeted into a horrific depression.
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She had bipolar illness, or manic depression, as it was then known.
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And then she did very well for many years on lithium,
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and then eventually, she was taken off her lithium
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to see how she would do without it, and she had another psychosis,
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and then plunged into the worst depression that I had ever seen,
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in which she sat in her parents' apartment,
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more or less catatonic, essentially without moving, day after day after day.
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And when I interviewed her about that experience some years later,
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she's a poet and psychotherapist named Maggie Robbins, when I interviewed her, she said,
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"I was singing 'Where Have All The Flowers Gone,' over and over, to occupy my mind.
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I was singing to blot out the things my mind was saying,
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which were, 'You are nothing. You are nobody. You don't even deserve to live.'
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And that was when I really started thinking about killing myself."
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You don't think in depression that you've put on a gray veil
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and are seeing the world through the haze of a bad mood.
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You think that the veil has been taken away, the veil of happiness, and that now you're seeing truly.
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It's easier to help schizophrenics who perceive
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that there's something foreign inside of them that needs to be exorcised,
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but it's difficult with depressives, because we believe we are seeing the truth.
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But the truth lies. I became obsessed with that sentence: "But the truth lies."
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And I discovered, as I talked to depressive people, that they have many delusional perceptions.
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People will say, "No one loves me."
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And you say, "I love you, your wife loves you, your mother loves you."
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You can answer that one pretty readily, at least for most people.
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But people who are depressed will also say, "No matter what we do, we're all just going to die in the end."
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Or they'll say, "There can be no true communion between two human beings.
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Each of us is trapped in his own body." To which you have to say, "That's true,
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but I think we should focus right now on what to have for breakfast."
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A lot of the time, what they are expressing is not illness, but insight,
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and one comes to think what's really extraordinary
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is that most of us know about those existential questions, and they don't distract us very much.
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There was a study I particularly liked,
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in which a group of depressed and a group of non-depressed people
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were asked to play a video game for an hour, and at the end of the hour,
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they were asked how many little monsters they thought they had killed.
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The depressive group was usually accurate to within about 10 percent,
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and the non-depressed people guessed between 15 and 20 times as many little monsters, as they had actually killed.
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A lot of people said, when I chose to write about my depression,
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that it must be very difficult to be out of that closet, to have people know.
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They said, "Do people talk to you differently?" I said, "Yes, people talk to me differently."
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They talk to me differently insofar as they start telling me about their experience,
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or their sister's experience, or their friend's experience.
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Things are different because now I know that depression is the family secret that everyone has.
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I went a few years ago to a conference, and on Friday of the three-day conference,
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one of the participants took me aside, and she said,
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"I suffer from depression, and I'm a little embarrassed about it,
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but I've been taking this medication, and I just wanted to ask you what you think?"
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And so I did my best to give her such advice as I could.
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And then she said, "You know, my husband would never understand this.
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He's really the kind of guy to whom this wouldn't make any sense,
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so, you know, it's just between us." And I said, "Yes, that's fine."
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On Sunday of the same conference, her husband took me aside,
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and he said, "My wife wouldn't think that I was really much of a guy if she knew this,
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but I've been dealing with this depression and I'm taking some medication, and I wondered what you think?"
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They were hiding the same medication in two different places in the same bedroom.
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And I said that I thought communication within the marriage might be triggering some of their problems.
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But I was also struck by the burdensome nature of such mutual secrecy.
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Depression is so exhausting.
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It takes up so much of your time and energy, and silence about it,
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it really does make the depression worse.
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And then I began thinking about all the ways people make themselves better.
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I'd started off as a medical conservative.
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I thought there were a few kinds of therapy that worked.
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It was clear what they were. There was medication.
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There were certain psychotherapies. There was possibly electroconvulsive treatment,
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and that everything else was nonsense.
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But then I discovered something.
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If you have brain cancer, and you say that standing on your head for 20 minutes every morning
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makes you feel better. It may make you feel better, but you still have brain cancer,
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and you'll still probably die from it.
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But if you say that you have depression,
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and standing on your head for 20 minutes every day makes you feel better,
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then it's worked, because depression is an illness of how you feel,
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and if you feel better, then you are effectively not depressed anymore.
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So I became much more tolerant of the vast world of alternative treatments.
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And I get letters, I get hundreds of letters from people writing to tell me about what's worked for them.
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Someone was asking me backstage today about meditation.
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My favorite of the letters that I got was the one that came from a woman
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who wrote and said that she had tried therapy, medication.
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She had tried pretty much everything, and she had found a solution and hoped I would tell the world,
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and that was making little things from yarn.
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She sent me some of them, and I'm not wearing them right now.
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I suggested to her that she also should look up obsessive compulsive disorder in the DSM.
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And yet, when I went to look at alternative treatments, I also gained perspective on other treatments.
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I went through a tribal exorcism in Senegal that involved a great deal of ram's blood
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and that I'm not going to detail right now, but a few years afterwards I was in Rwanda,
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working on a different project, and I happened to describe my experience to someone,
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and he said, "Well, that's West Africa, and we're in East Africa,
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and our rituals are in some ways very different,
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but we do have some rituals that have something in common with what you're describing."
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And he said, "But we've had a lot of trouble with Western mental health workers,
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especially the ones who came right after the genocide."
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I said, "What kind of trouble did you have?"
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And he said, "Well, they would do this bizarre thing.
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They didn't take people out in the sunshine where you begin to feel better.
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They didn't include drumming or music to get people's blood going.