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I was one of the only kids in college who had a reason
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to go to the P.O. box at the end of the day,
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and that was mainly because my mother has never believed
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in email, in Facebook, in texting or cell phones in general.
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And so while other kids were BBM-ing their parents,
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I was literally waiting by the mailbox
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to get a letter from home to see how the weekend had gone,
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which was a little frustrating when Grandma was in the hospital,
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but I was just looking for some sort of scribble,
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some unkempt cursive from my mother.
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And so when I moved to New York City after college
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and got completely sucker punched in the face by depression,
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I did the only thing I could think of at the time.
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I wrote those same kinds of letters that my mother had written me
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for strangers, and tucked them all throughout the city,
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dozens and dozens of them. I left them everywhere,
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in cafes and in libraries, at the U.N., everywhere.
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I blogged about those letters and the days
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when they were necessary, and I posed
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a kind of crazy promise to the Internet:
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that if you asked me for a hand-written letter,
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I would write you one, no questions asked.
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Overnight, my inbox morphed into this harbor of heartbreak
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a single mother in Sacramento, a girl being bullied
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in rural Kansas, all asking me, a 22-year-old girl
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who barely even knew her own coffee order,
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to write them a love letter and give them a reason
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to wait by the mailbox.
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Well, today I fuel a global organization
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that is fueled by those trips to the mailbox,
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fueled by the ways in which we can harness social media
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like never before to write and mail strangers letters
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when they need them most, but most of all,
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fueled by crates of mail like this one, my trusty mail crate,
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filled with the scriptings of ordinary people,
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strangers writing letters to other strangers not because
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they're ever going to meet and laugh over a cup of coffee,
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but because they have found one another by way of letter-writing.
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But, you know, the thing that always gets me
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about these letters is that most of them have been written
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by people that have never known themselves loved on a piece of paper.
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They could not tell you about the ink of their own love letters.
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They're the ones from my generation,
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the ones of us that have grown up into a world
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where everything is paperless, and where some
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of our best conversations have happened upon a screen.
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We have learned to diary our pain onto Facebook,
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and we speak swiftly in 140 characters or less.
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But what if it's not about efficiency this time?
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I was on the subway yesterday with this mail crate,
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which is a conversation starter, let me tell you.
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If you ever need one, just carry one of these. (Laughter)
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And a man just stared at me, and he was like,
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"Well, why don't you use the Internet?"
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And I thought, "Well, sir, I am not a strategist,
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nor am I specialist. I am merely a storyteller."
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And so I could tell you about a woman
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whose husband has just come home from Afghanistan,
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and she is having a hard time unearthing this thing called conversation,
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and so she tucks love letters throughout the house
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as a way to say, "Come back to me.
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Find me when you can."
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Or a girl who decides that she is going to leave love letters
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around her campus in Dubuque, Iowa, only to find
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her efforts ripple-effected the next day when she walks out
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onto the quad and finds love letters hanging
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from the trees, tucked in the bushes and the benches.
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Or the man who decides that he is going to take his life,
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uses Facebook as a way to say goodbye
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to friends and family.
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Well, tonight he sleeps safely with a stack of letters
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just like this one tucked beneath his pillow,
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scripted by strangers who were there for him when.
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These are the kinds of stories that convinced me
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that letter-writing will never again need to flip back her hair
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and talk about efficiency, because she is an art form now,
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all the parts of her, the signing, the scripting, the mailing,
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the doodles in the margins.
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The mere fact that somebody would even just sit down,
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pull out a piece of paper and think about someone
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the whole way through, with an intention that is so much
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harder to unearth when the browser is up and the iPhone
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is pinging and we've got six conversations rolling in at once,
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that is an art form
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that does not fall down to the Goliath of "get faster,"
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no matter how many social networks we might join.
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We still clutch close these letters to our chest,
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to the words that speak louder than loud,
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when we turn pages into palettes to say the things
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that we have needed to say,
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the words that we have needed to write, to sisters
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and brothers and even to strangers, for far too long.
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Thank you. (Applause)
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(Applause)