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Behind me is the Stanegate. This was fashioned by the residents of Corbridge into a high
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street along which shops and businesses jostled to get access to the travellers passing along
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the frontier of Roman Britain. This was really the lifeline of the Roman town for almost
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all of its existence.
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By the end of the second century the permanent fort had left and the town that had been outside
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of that fort had expanded and really capitalised on its important position on the crossroads.
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Running east to west was the Stanegate, running north to south was Dere Street, and of course
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then there's the River Tyne that connects Corbridge to the coast. This makes Corbridge
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the ideal location for a trading town.
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These objects are a real insight into the thriving town or market town, as we would
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maybe describe it, Corbridge would have been. These pots we think were made in the late
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second and third century. Now this mould here shows Jupiter Dolichenus, who's a god who
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originates in Syria and is brought across the Empire by the army. This piece shows a
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smith god and he's got his tools of his trade. So he's holding an axe, his tongs
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and this here is his anvil ready to strike.
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To make a town like this successful you need everyday people like the blacksmith, grafting
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to make the products and to sell them. And they would have done so from buildings like
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this. This is a humble strip house. At the front, next to the high street, would have
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been a shop. At the back there was probably a workshop and then above that dwelling space
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for the family that lived here.
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Now we don't just have this evidence at Corbridge. We have evidence of broader manufacture.
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And we know that there were people making mortaria at Corbridge, which is grinding vessels,
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and this is a fragment here. And you can see here this is stamped with a name or three
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letters, and the name is Saturninus. And we know this was made at Corbridge because we
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have the stamp. Saturninus would have wanted people to know that he made this mortaria,
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because then if it's a good mortaria they'll recommend him to other people to buy his mortaria
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from. It's a bit of free advertising and also a little bit like a trademark.
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So not only did they take a certain amount of pride in some of the materials they made,
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the people of Corbridge took pride in their town. As a place of wealth, as a place of
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beauty, both in terms of what they were producing and where they were living. So for example
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the granaries had these elaborate columns. Behind me there would have been a public fountain
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which would have had statues either side of it.
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Across the Roman Empire every time a fort is built or settled, a town springs up around
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the outside to service that fort. Quite often when the fort leaves or the army leaves, that
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town disperses. However at Corbridge that is not the case. The army leaves and the town
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stays and actually gets bigger, so it's building its own identity.
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Here we have a visual representation of the longevity of Corbridge. Down at the bottom
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here is the road level quite early on in the town's history, then over the centuries
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the residents of Corbridge repaired the road, adding new flagstones to make sure that trade
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could continue to pass. And so the level of the road rises up a couple of metres to where
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it was at the very end of Roman Corbridge, sometime in the early fifth century.